How to find your writing voice

Often as writers we know we want to write, but not exactly what or how. Here, we discuss how to find your writing voice, open your imagination, and expand your writing repertoire.

Tom Bromley
Tom Bromley

We all enjoy a good story. Be it thrilling, scary, sad or comforting, there’s a book for every mood. In fact, stories are how we, as humans, come to understand the world.

But it’s never quite as easy as putting pen to paper or finger to keyboard. We have an innate desire to tell stories, but we need to learn how to craft them before they’ll be worth hearing.

Every reader has their favourite books, and a hardboiled mystery might seem light-years away from a humourous romance, but stepping out of your comfort zone and reading something out of the ordinary can only be good.

One of our core principles is that ‘a good writer is a good reader’ — and this doesn’t just mean taking in every word and analysing every image and allusion.

Reading widely exposes us to a whole spectrum of techniques and tastes, and through this we can discover different elements of the writing craft that can be directly applied to our own writing — whatever genre we choose to write in.

It can be hard to pin down exactly what kind of story you want to tell, and it takes practice to develop your individual voice.

An easy way of discovering what sort of writing you are best at, and more importantly what you enjoy writing the most, is to try them all.

Write a 1000-word crime caper. Write a saccharine-sweet love story. Write the opening to a sci-fi fantasy set in a far flung galaxy where time is malleable.

Experimentation is the key to being a well-rounded writer, and when you find something you really enjoy, it’s time to write more and expand on your ideas.

A good writer is a good reader.

This freedom to experiment is also hugely enjoyable. Writing should be playful, and not everything you write will — nor should be — fit to publish. Think of it as doodling with words.

Often, you’ll just have a bit of fun, with a pleasant sketch to show for it.

Sometimes, though, the mood will take you on a journey, and before you know it you’ll have page upon page of writing which is quite unlike anything you would have expected.

This is the joy of writing: discovering things not only about the world you have created, but about yourself, too.

Exploring a wide variety of styles isn’t just useful for discovering your preferred genre to write in, though. You might be set on writing a YA novel, but this doesn’t mean it’s not helpful to test out other genres too.

Writing romance could help you create more convincing relationships. Plotting a crime thriller might be the key to understanding story structure. Trying out a historical setting might help you crack key research skills.

Exploring outside your preferred genre will give you a bank of knowledge to draw upon whenever you see fit.

You might know you want to write, but are unsure of what to write about. You might be an experienced writer stuck in a rut, wanting to expand your horizons.

You might just want to challenge yourself, and prove that you can write sci-fi as well as you can romance.

Whatever your reasoning, our Find Your Writing Voice: Exploring Genres course will help expand your range as a writer and perhaps even shed some light on what makes you tick, too.

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Meet your Tutor

Tom Bromley

Tom Bromley

Tom Bromley is an author, editor and ghostwriter.

He has written ten books under his own name, both fiction and non-fiction, ghosted a further dozen titles, including several UK and international bestsellers, and has edited over a hundred books.

Tom’s novels include Half A World Away, described by Jonathan Coe as ‘a shrewd and ingenious riff on modern relationships . . . a comic gem with a serious undertow’. His most recent books are the popular culture memoirs Wired for Sound and All in the Best Possible Taste. The former was described by Will Hodgkinson, The Times’ chief rock critic, as ‘a joy’; the latter was a Daily Mail Book of the Week.

Tom spent over a decade working in publishing as a copywriter, commissioning editor, editorial director and publisher, and continues to work for both publishers and literary agencies in a consulting capacity. He has tutored for the Faber Academy for five years and created seven of the Academy’s online courses.

He has also taught and run workshops for a number of festivals and organisations including CrimeFest, Stratford Literary Festival, the John O’Connor Festival of Writing, the Literary Consultancy’s Literary Adventure, the Casa Ana Mentoring Retreat, Falmouth University, and the National Film and Television School. Tom is Director of Fiction for the Professional Writing Academy, the founding director of the Salisbury Literary Festival and has an MA in Creative Writing himself, from Bath Spa University.

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